Graham Hancock is the king of speculation. His books will either convince you there’s a lot more to human history or make you scoff at his possibly outlandish ideas. Regardless, it is damn entertaining. One of the first books I ever bought was his Fingerprints of the Gods (1996) which discussed how anomalies associated with ancient monuments tend to indicate a wide-spread ancient advanced civilization. Even though I was intrigued by the way Hancock tied all those threads together I’m still deeply skeptical of his overall thesis. And yet, I’ve been completely hooked by his 2007 book Supernatural. This one is deeply convincing because anyone can follow his thesis with a little supplemental research. Using the bitterly accepted idea proposed by anthropologist David Lewis-Williams, that ancient art depicted what early humans saw in altered states of consciousness, Hancock weaves a story that gets at the very heart of what it means to be a member of our species. Where academics might be starting to accept Lewis-Williams’ idea, they are far from ready to use the same plants and rituals that produced these early trance states. This is where Hancock picks up, by starting taking the iboga vine, the plant that enables men to see the dead, and follows with the sacred ayahuasca brew of the Amazon.
Where I’m sure I would have been more sympathetic to Hancock’s other works if I had actually been to the monuments he describes, I can follow the writing here because of my own exposure to these ancient plants. Before I knew the themes and details in this book, my own experiences were eerily similar to those described in Supernatural. I’ve been the archetype of the wounded man and had interactions with serpents. Reading the story of someone thousands of years ago describing something that happened to me (along with its “mystical” significance) is a chilling synchronicity. Hancock’s sketch on p. 52 of the beings he encountered while doing his field research were exactly the same things I’ve seen, and as I learned by reading, have been seen for thousands of years by scattered native groups across the world accessing these same states through various means.
Hancock ties the similarities of the modern UFO/abduction phenomena to experiences that indigenous tribesmen have in altered states to the mythology of the medieval fairies. In doing so, he uncovers that throughout human history our species has been describing the same thing from different angles. Whatever this phenomena is, it appears to be changing over time, evolving and advancing. Hinting at a form of intelligence. All of these encounters have similar themes, particularly in encountering entities with an interest in human sexuality and reproduction mechanisms. That fairies allegedly impregnated and abducted women or danced around in circles to fly into the sky draws more than a few parallels to modern UFO lore. While the case Hancock lays for these similarities takes up the first half of the book, it is in the second half of Supernatural where the mind gems really shine through.
All human languages have a direct, exact, unvarying mathematical relationship between the rank of a word and the actual frequency of occurrence of that word. This relationship is known as Zipf’s Law, named after linguist George Zipf and has proved to hold true for every human language. Oddly enough, when the non-coding regions of DNA are analyzed according to Zipf’s Law a perfect linear Zipf Law linear plot emerges. In fact, the chemical “writing” of the non-coding regions of DNA appear to have all the features of a language, and may in fact be a language. Perhaps it is this language that ancient plant based sacrements tap into. Hancock brings to light the evidence that our interactions with ‘the other’ could be enabled by ancient plant substances because these chemicals allow us to access information encoded in the 97% of our DNA we currently think of as ‘junk DNA’. Further work in this area was done by Dr. Jeremy Narby in his book The Cosmic Serpent, which Hancock touches on briefly, specifically regarding the presence of snake constituted helixes in nearly every culture. That the snake in mythology is often a reference to DNA.
Since Hancock published Supernatural, the knowledge that Francis Crick discovered the shape of DNA while using LSD has become widely known. What is less well known is that Crick later published a book where he explains that DNA is so complex no mechanism of evolution could have produced it on this planet, concluding it must have originated elsewhere in the universe. Strangely, the mythology of many tribes in the Amazon tell the exact same story, of serpents falling from the sky and living inside us. While anthropologist Michael Harner ingested ayahuasca in 1961 he reported seeing, “dragon-like creatures that came to earth from deep in outer space after a journey that had lasted for eons.” These dragons explained that they hid in the multitudinous forms life and that humans were the receptacles for these creatures. Similar encounters have been described by other scientists ingesting these ceremonial brews and ancient cultures are inundated with related stories. Hancock hesitates from drawing any sort of conclusion other than that these ancient myths and timeless sacraments may be far more interesting than we could ever guess. Personally I agree.
Even stranger is that psilocybin (the active ingredient in magic mushrooms) is essentially orally active DMT, an indole compound with a phosphorylated functional group which exists nowhere else in nature. If this pattern exists nowhere else in nature, where could it have come from? What if the alien we’ve been searching for has been here inside us all along? A chilling prospect to consider, but after reading through Supernatural you’ll be forced to confront this possibility in all of its grandeur.










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